MIND DE-CODER 7 (1-04-10)

MIND DE-CODER 7 (1-04-10)


 

MIND DE-CODER 7
(01-04-10)

”Now that’s what I call a guitar solo…!!!”

EDEN AHBEZ      FULL MOON
Eden Ahbez was a hippy some 20 years before the term was invented. Living a bucolic life from at least the 1940s, he traveled in sandals and wore shoulder-length hair and beard, and white robes. He camped out below the first ‘L’ in the Hollywood Sign above Los Angeles, studied Oriental mysticism, and claimed to live on three dollars a week (which wasn’t a lot of money in those days), sleeping outdoors with his family, and eating vegetables, fruits, and nuts. He wrote Nature Boy for Nat King Cole in 1948, and in 1960 recorded the exotica album EDEN’S ISLAND from which this track is taken. I think he would have liked Waiheke – he could have been friends with Eric. He liked to dream the dream that the dreamers dream, did ol’ Eden.
THE G.T.O’S     THE ORIGINAL G.T.O’S
Miss Lucy and Miss Johna, two of the original G.T.O’s, Girls Together Outrageously (or Occassionally, or Only, or Openly, or, well, you get the picture), the original groupie group, as documented by Miss Pamela Des Barres in her ‘candid’ biography “I’m With The Band”. The G.T.O’s  recorded one album, PERMANENT DAMAGE, released in 1969  which was produced by Frank Zappa and consists of some primitive but fairly engaging song writing (none of the girls actually being able to sing) and recorded studio conversations that the girls were apparently unaware of until the record came out. It’s a glorious mess of an album that captures a very specific time and place (the Laurel Canyon scene, late 60’s) in all its freaky glory and works because everyone invloved sounds like they were having a really good time, and in the case of this track at least, a really good time. One of my favourite albums.
KING BISCUIT TIME      I LOVE YOU
King Biscuit Time was Beta Band vocalist Steve Mason’s side project until the Beta Band split up and it became his full-time project. This track is taken from the NO STYLE EP, released in 2000. He’s since gone onto produce a dark electronic disco album under the banner Black Affair. I Love You has a lovely ambient-folk texture that is more in keeping with the Beta Band’s first three ep’s than anything he’s done since.
THE G.T.O’S     THE GHOST CHAINED TO THE PAST, PRESENT AND FUTURE (SHOCK TREATMENT)
Another track from PERMANENT DAMAGE – contain’s the line “I see all the people I want to see, I be all the people I want to be…” which I always thought was pretty wonderful – the song turns into a fully-fledged west coast psychedelic freak-out and features The Jeff Beck Group (with Rod Stewart on vocals) who briefly joined The G.T.O’s in 1969. For a hysterical insight into the freak scene at the time I can’t recommend Pamela Des Barnes “I’m With The Band” enough – it made me wish that I was sexy young rock singer with a roving eye and a log cabin somewhere up in Laurel Canyon in the late 1960’s, and I can tell you, that doesn’t happen very often.
THE FRATERNAL ORDER OF THE ALL       WINK OF THE THIRD EYE/IT HAS NO EYES BUT SIGHT
A wonderful conceit – released in 1997, Andrew Gold of 10cc makes a faux-lost 1967-era psychedelic album anchored by Beach Boys harmonies, Beatle-esque experimentation and a big nod and a wink towards The Zombies, The Byrds, The Doors and just about anyone else who was around then, on a spot-the-influence tribute album called GREETINGS FROM PLANET LOVE. He gets vocals and instrumentation just right and everything about it is trippy as hell. Ironically it became one of the great lost psychedelic albums in it’s own right on account of nobody buying it. Irony can be so ironic sometimes.
THANE RUSSELL AND THREE      SECURITY
A mighty fine record this – a blistering cover of Otis Redding’s Security. I have it on good authority from the band’s guitarist, Martin Fisher, that this single was released in 1966, and not 1967 as I’d previously thought. He wrote to me a lovely little e-mail informing me that he joined the band in May of 1966 and the single had already been released by then. It was a huge hit all over Australia for some reason, but sunk without a trace in England. The identity of Thane Russell was a matter of some speculation (in Australia, anyway) where it was rumoured it may have been Mick Jagger. It wasn’t. It was in fact British singer Doug Gibbons (for all you trivia fans out there), although Gibbons was an associate of the Rolling Stones. The other mad bit of trivia associated with this song was that it was produced by Paul Gadd, also known as Paul Raven, but most famously known as Gary Glitter.
FLEUR DE LYS      CIRCLES
Speaking of blistering cover versions – this track knocks the socks off the original version by The Who. Recorded in 1965, this track is at least two years ahead the psychedelic explosion that was to follow – the guitar solo, always one of my favourite guitar solos ever, probably gave producer Jimmy Page something to think about. Nobody bought it, of course.
MAGNETIC FIELDS      EXPERIMENTAL MUSIC LOVE
Taken from the triple album 69 LOVE SONGS, which is pretty much a triple album featuring 69 love songs, released by the Magnetic Fields in 1999. As frontman Stephen Merritt says 69 Love Songs isn’t remotely an album about love – it’s an album about love songs, which is completely different. This particular track can be found half-way through disc three.
TUNNG      OUT OF THE WINDOW WITH THE WINDOW
Psychedelic folkatronica is a dreadful label so let’s not use it. Tunng create scratchy pastoral electronica in a quintessentially English folk manner to create albums that are brittle and bright. This track is taken from their 2005 release MOTHER’S DAUGHTERS, AND OTHER SONGS. It is a strikingly original album that reminds me of someone trying to busk along to Bert Jansch on a broken stylophone. More or less. (Perhaps less).
NICK DRAKE      CELLO SONG
My favourite track from my favourite Nick Drake album. I may have said this before about a different track from a different Nick Drake album, but I mean it this time. I once heard this track under ‘favourable’ circumstances and it just dragged me into the urgency of its warm intimacy. Turns out I quite like urgent warm intimacy, so that was alright, then. You can find it on FIVE LEAVES LEFT, released in 1969.
SANDY DENNY      MILK AND HONEY
Probably my favourite track on tonight’s show. Recorded in 1967, this is Sandy’s version of ex-boyfriend’s Jackson C. Frank’s song which eventually ended up on THE COMPLETE SANDY DENNY.  If you listen to this song at about two o’clock in the morning, alone, with a bottle of red wine on the go, and perhaps just a single candle flame to light your way, this song will take you the camp fire of your soul where you will hear songs of love, loss and, just maybe if you’re really lucky, redemption. And it’s a good place; it really is. You can also find this song on The Original Sandy Denny, released in 1999.
LINDA PERHACS      PARALLELOGRAMS
I just had to look up the definition of outré, to make sure I had the right word. PARALLELOGRAMS an album of outré gorgeousness and elegance, that sounds like nothing I’ve heard before, but with songs that never lose their sense of fragile magic and melodic beauty. Released in 1970 and ignored by everybody, it was rediscovered in the late 90’s and became a big influence on the re-emerging acid-folk scene. Marvellous album, and

recently re-released last year with 8 bonus tracks.
GORKY’S ZYGOTIC MYNCI      HALLWAY
Taken from the album SPANISH DANCE TROUP, an LP that holds moments of rare precious acoustic beauty (as well as tracks like Poodle Rockin’, it must be said). This is the opening track from the album and reminds me in part of that Amon Düül vibe from Para Dieswärts. A good album to spend some time with if you ever find yourself alone in a field of magic mushrooms.
KAHIMI KARIE      SLEEP
Syrupy-sweet weirdness from avant-garde pop princess Kahimi Karie and a delirium-inducing track taken from her album TRAPEZISTE, released in 2003.
THE CRANIAL FISHERS     DEADLINE
It’s hard to describe what The Cranial Fishers do or who they are, but it often sounds like this, and you can find more of it from the Cranial Fisher audio page at http://craigco.sensoryresearch.net/cranialfishers/audio.html
XTC      MEETING PLACE
My favourite track from 1986’s album SKYLARKING – the band’s Andy Partridge describes the album as “a summers day baked into one cake”.
AMON DÜÜL II      SANDOZ IN THE RAIN
As distinct from Amon Düül I, which was more of an ill-fated politico/musical commune, Amon Düül II is what was left once all the political activists and psychedelic artists cleared off and left the musicians to tidy up after them. Sandoz In The Rain is taken from the album YETI, released in 1970 and featuring the legendary krautrock image of Shrat the bongo-player, weilding a huge scythe across a field of bright yellow ground fog. On this particular track, a nine minute Kosmische folk improvisation that Julian Cope calls an ‘unearthly impression of mythical times’, Amon Düül I and Amon Düül II re-unite to beautiful pastoral effect.
THE ALIENS      CARAVAN
One of my favourite bands from recent times, The Aliens are all ex-members of the Beta Band and have released two albums that I have loved to death. This is taken from their first album, ASTRONOMY FOR DOGS, released in 2007, a retro-futuristc, intersteller, fun mess of an album that manages to be funky, tragic and joyous all at the same time while forcing the listener, you, forward and backwards in time and inwards in space as you try to unravel its epic, groove-based jams. Or something. You can tell I love it, can’t you?
I Thank you.

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